Inwald’s Decorama – on the trail of South
American copies
Thanks
to Maria Lorena Piotrowski,
Buenos Aires
- "divinnecollection" on
eBay - for use of her photos.
|
The Czech glassmaker, Josef Inwald, made a splendid Art
Deco style pattern known originally as "Sphinx", but known to collectors today as
Decorama.
Water sets and a carafe are known - see Inwald's 1933
catalogue on the right.
They are found in the fabulous marigold that is typical of
the high quality iridescence we have come to associate with Inwald.
But could Inwald's Decorama have been
copied?
|

|
Decorama tumblers in blue
Carnival appeared on the market in 2008 and 2009, yet Inwald’s Carnival production has only been known in
marigold, although there is a suggestion in Inwald's catalogues that
perhaps a pale blue iridescence may have been used
on some later pieces (such as Aiglon).
However, the likely answer seems
to be that Inwald’s Decorama pattern was actually copied by one of the South American Carnival Glass makers, who
are well known for making blue Carnival. Evidence for
this lies not only in the blue colour, but also in the shape and pattern of the Decorama items that have been found
in South America. The shape of the Decorama water pitcher found in Argentina is not the same as the Inwald
original; the handle is totally different and there are other small variations. We can also see some subtle
differences in the patterns on the tumblers: on the Inwald original, the vertical lines in the pattern meet in a V
shape above the foot while on the tumblers that we believe are South American copies, the same vertical lines go
down onto the foot without meeting in a V. The pictures below clearly show these differences.
|
Inwald's Decorama
|
South American copy
|
|

|

|
|

|

|
|
Further striking
differences can be observed in the quality of the items. Signature characteristics of Inwald’s
Carnival are top notch iridescence and a mirror shiny base grind. These are not present on the
items we believe are the South American version.
The pictures
show Inwald's typical shiny, polished base (near right, on a Nola tumbler), compared with the "as
moulded" base of the South American version on the far right.
|

|

|
We
know that there were many links between Czechoslovakia and South America and that the glass companies
perpetuated those links through trade connections and more. The Inwald and Rindskopf companies merged in the early
1930s (although each kept their separate identities) and shortly afterwards, one of Josef Rindskopf’s sons
(Sherman) actually went to live in South America.
|