Iridescence
Carnival Glass
was often iridised using ferric (iron) chloride sprayed onto the hot glass. This gave an orange marigold colouring.
Stannous (tin) chloride was also used (and still is the iridescent spray of choice for iridising glass, for example
by Isle of Wight Glass studio).
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A stunning pastel marigold Peacocks plate by
Northwood.
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Here's is an astonishing pastel marigold
(peacock marigold) iridescence on a Plume Panel and Bows water pitcher.
The maker of this item is not yet
confirmed, but we would make a cautious attribution to Czech manufacture.
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Larry Freeman
reported (see below for references) that "the burnished gold Aurene color came from the use of tin chloride.
The addition of iron chloride deepened this gold to a reddish tint". Chloride of antimony applied on top of iron
chloride is supposed to have produced blue colouring.
When Webb & Sons, in the UK, made their iridised Bronze Glass (1878 onwards) their application for patent stated that: "the
glass articles are exposed, while in the nearly molten state after blowing, and before annealing, to the fumes
generated by placing chloride of tin, alone or mixed with the nitrates of barium and strontium, upon a hot plate
or spoon. During this process the articles are placed in a muffle or chamber into which the fumes are
introduced".
References:
Larry Freeman
"Iridescent Glass"
Charles Hajdamach "British Glass 1899-1914"
Heacock, Measell, Wiggins "Harry Northwood The Wheeling Years"
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